Raz Studios
The film is found in the edit.
FCL47.0mm
TC02:20:35:09
STBY

PRODUCTION / POST-PRODUCTION

The film is found in the edit.

Post is where a shoot becomes a film. We take your footage from first assembly to final delivery: offline editing to find the story, online finishing to make it clean, and colour grading to give it a look. Prefer to run your own post? Dry hire our editing and colour grading suite by the day and bring your own editor or colourist.

Offline editing

The story edit. We assemble your footage, shape the structure and pacing, and lock a cut you are happy with before it goes to finishing.

Online and finishing

Conform, clean up, titles, graphics and delivery in the formats and codecs each destination needs, whether that is broadcast, cinema, social or the web.

Colour grading

A calibrated grading suite and a colourist to build the look, balance every shot and give the whole piece one consistent feel.

Offline, online, or just the room

Offline is the story edit, where we cut your footage into shape and lock the timing. Online is the finish, where we conform that cut at full resolution, clean it up, add titles and graphics and master it for delivery. Take both from us, or slot us in wherever you need. If you would rather keep post in house, dry hire the suite. Book the editing bay or the colour grading suite by the day and bring your own editor or colourist. You get the room, the tools and calibrated monitoring, and full run of it for the day.

Colour grading with intent

Grading is more than making shots look nice. It sets the mood, guides the eye and holds a piece together so it feels like one film and not a folder of clips. On a calibrated reference monitor we balance every shot, build a look with you, and deliver graded masters ready for their final home. Book it as part of a full post job, or dry hire the grading suite for your own colourist.

FAQ

Good to know

Can I just hire the suite without an editor?

Yes. Dry hire the editing bay or the colour grading suite by the day and bring your own editor or colourist. You get the room, calibrated monitoring and the tools, and full run of it for the day.

What is the difference between offline and online?

Offline is the creative story edit, where we cut and lock the timing. Online is the technical finish, where we conform that edit at full quality, clean it up, add graphics and master it for delivery.

Can you deliver in the format my platform needs?

Yes. We master to the formats and codecs each destination expects, from broadcast and cinema to social and the web, and can supply the specs your broadcaster or agency asks for.

Can you grade footage you did not shoot?

Absolutely. Bring footage from any camera or any crew and we will balance and grade it. It helps if you can send the original files or a good quality export.

GOT FOOTAGE?

Let's finish it properly.