Lenses for hire in Perth.

ANGENIEUX EZ Zoom 2 Lens Kit

The Angénieux EZ Zoom 2 Lens Kit combines two highly versatile and high-performance lenses designed for Super 35mm filmmaking: the EZ-1 30-90mm T2 Zoom S35 and the EZ-2 15-40mm T2 Zoom S35. Together, these lenses…

Angénieux EZ-1 30-90mm T2 Zoom S35

The Angénieux EZ-1 30-90mm T2 Zoom S35 is a versatile, high-performance lens designed for Super 35mm filmmaking. Offering a 3x zoom ratio and a T/2-22 aperture, it provides exceptional flexibility for a wide range of…

Angénieux EZ-2 15-40mm T2 Zoom S35

Angenieux's EZ-2 15-40mm S35 Cinema Lens with PL Mount;is a fast zoom for 3-perf Super 35mm sized sensors. This version of the lens ships with a PL mount and the Super 35 rear optical assembly. It features a T2.0 aperture and focuses down to 2' in front of the image plane while weighing in at only 4.7 pounds. The 114mm front diameter of the lens is a common diameter compatible with cinema-style matte boxes. The lens features independent focus, iris, and zoom control rings with cinema standard gear teeth. A removable support foot can be repositioned for when you need to rotate your lens off of a standard mounting orientation.

Angénieux 25-250mm T3.9 Vintage Zoom

The original industry workhorse, this classic Angenieux telephoto zoom lens offers a wide focal range & decent aperture within a medium-sized lens body. Known for their low contrast and gorgeous amber-magenta lens flares their coatings produce, the 25-250mm T3.9 is a high-quality reliable zoom lens with just enough sharpness for your next project.

ATLAS 1.6x Extender PL to PL

The Atlas 1.6X LF Extender increases the focal length of a PL lens by 1.6X. At the same time it expands the image circle of the lens. This enables Super-35 lenses to cover full-frame / large format sensors.The Atlas LF Extender is paired with the Atlas Anamorphic Primes to enable coverage of the full-frame / large format camera.

ATLAS MERCURY 6 Lens Kit (36mm, 42mm, 54mm, 72mm, 95mm, 138mm)

The ATLAS MERCURY FF 6-Lens Kit includes six exceptional anamorphic lenses – the 36mm, 42mm, 54mm, 72mm, 95mm, and 138mm – each featuring a 1.5x squeeze factor to deliver the iconic anamorphic look that filmmakers love. Covering a wide range of focal lengths, this complete set brings cinematic magic to your productions with stunning image quality, vibrant horizontal flares, and signature oval bokeh. Built with a multi-layer coating to minimise lens flare and ghosting, these lenses ensure crisp, clear images even in challenging lighting conditions. The smooth, responsive focus and aperture rings offer precise control for accurate adjustments throughout your shoot. From wide cinematic vistas to intimate portraits and dramatic close-ups, the ATLAS MERCURY FF 6-Lens Kit provides the flexibility and consistency needed for a full anamorphic workflow. With full-frame coverage across the entire set, this kit is perfect for filmmakers looking to achieve the classic anamorphic aesthetic with maximum versatility. Unlock the visual magic of anamorphic shooting with the ATLAS MERCURY FF 6-Lens Kit, and elevate your next project with the unmistakable style of anamorphic lenses.

ATLAS MERCURY FF Anamorphic 54mm 1.5x

Capture the magic of cinema with the ATLAS MERCURY Anamorphic 36mm 1.5x lens. This lens is a filmmaker’s dream, designed to bring the iconic look and feel of anamorphic shooting to your productions. With a 1.5x squeeze factor, this lens delivers the classic anamorphic aesthetic, including oval bokeh and horizontal lens flares. The lens features a multi-layer coating to reduce lens flare and ghosting, ensuring your images are sharp and clear. The focus and aperture rings are smooth and responsive, allowing for precise control over your image. Whether you're a seasoned filmmaker or a novice looking to experiment with a new look, the ATLAS MERCURY Anamorphic 42mm 1.5x lens is a versatile and affordable choice. Rent it now and bring the magic of anamorphic filming to your next project.

ATLAS MERCURY FF Kit A (36mm, 42mm, 72mm)

Capture the magic of cinema with the ATLAS MERCURY Anamorphic 72mm 1.5x lens. This lens is a filmmaker’s dream, designed to bring the iconic look and feel of anamorphic shooting to your productions. With a 1.5x squeeze factor, this lens delivers the classic anamorphic aesthetic, including oval bokeh and horizontal lens flares. The lens features a multi-layer coating to reduce lens flare and ghosting, ensuring your images are sharp and clear. The focus and aperture rings are smooth and responsive, allowing for precise control over your image. Whether you're a seasoned filmmaker or a novice looking to experiment with a new look, the ATLAS MERCURY Anamorphic 42mm 1.5x lens is a versatile and affordable choice. Rent it now and bring the magic of anamorphic filming to your next project.

ATLAS MERCURY FF Kit B (54mm, 95mm, 138mm)

The ATLAS MERCURY FF B Kit includes three exceptional anamorphic lenses – the 54mm, 95mm, and 138mm, each featuring a 1.5x squeeze factor to deliver the iconic anamorphic look that filmmakers love. This kit brings cinematic magic to your productions with stunning image quality, vibrant horizontal flares, and signature oval bokeh. Built with precision mechanics and a classic anamorphic character, these lenses ensure crisp, clear images even in challenging lighting conditions. The smooth, responsive focus and aperture rings offer precise control for accurate adjustments throughout your shoot. The ATLAS MERCURY FF B Kit is perfect for filmmakers looking to achieve the classic anamorphic aesthetic with medium and telephoto perspectives—ideal for portraits, dialogue scenes, and dramatic compression. With full-frame coverage and a compact, balanced design, these lenses provide the versatility needed for a variety of shooting situations. Unlock the visual magic of anamorphic shooting with the ATLAS MERCURY FF B Kit, and elevate your next project with the unmistakable style of anamorphic lenses.

ATLAS ORION 3 Lens Kit - A (40mm, 65mm, 100mm)

Orion Series Anamorphic Lenses are built to be a universal filmmaking tool - ready for the latest Digital Cinema PL mount cameras like Arri Alexa or Red DSMC2, Canon Mount Cinema Cameras, or adapted Sony E Mount or Micro 4/3 cameras, and are even designed to accommodate the rotating mirror shutter of 35mm Motion Picture Film Cameras following Arri PL Flange requirements.

ATLAS ORION 3 Lens Kit - B (32mm, 50mm, 80mm)

ATLAS Orion - 32mm, 50mm, and 80mm LENS'S FOR HIRE DESCRIPTION Orion Series Anamorphic Lenses are built to be a universal filmmaking tool - ready for the latest Digital Cinema PL mount cameras like Arri Alexa or Red DSMC2, Canon Mount Cinema Cameras, or adapted Sony E Mount or Micro 4/3 cameras, and are even designed to accommodate the rotating mirror shutter of 35mm Motion Picture Film Cameras following Arri PL Flange requirements.

ATLAS ORION 6 Lens Kit (32mm, 40mm, 50mm, 65mm, 80mm, 100mm)

The ATLAS ORION 6 Lens Kit includes six anamorphic lenses—32mm, 40mm, 50mm, 65mm, 80mm, and 100mm—designed to enhance your cinematic storytelling. These lenses are compatible with Digital Cinema PL mount cameras like…

ATLAS ORION Anamorphic 32mm T2 1'9"

Orion Series Anamorphic Lenses are built to be a universal filmmaking tool - ready for the latest Digital Cinema PL mount cameras like Arri Alexa or Red DSMC2, Canon Mount Cinema Cameras, or adapted Sony E Mount or Micro 4/3 cameras, and are even designed to accommodate the rotating mirror shutter of 35mm Motion Picture Film Cameras following Arri PL Flange requirements.

BLAZAR Viper Anamorphic 3 Lens Kit E Mount [Full Frame, 1.5x]

BLAZAR Viper Anamorphic 3 Lens Kit PL [Full Frame, 1.5x]

Canon 50mm T0.95 Dream Lens (LPL MOUNT)

Legendary Canon 50mm T0.95 lens also known as the “Dream Lens” rehoused by GL Optics. NOTE: Only Available in LPL Mount.

CANON CN-E 4 Lens Kit (24MM, 35MM, 50MM, 85MM)

The Canon CN-E 4 Lens Kit includes four exceptional prime lenses—24mm, 35mm, 50mm, and 85mm—designed to meet the high standards of the world’s cinematographers. Known for their organic and natural look, the CN-E Primes…

CANON CN-E 5 Lens Kit (24MM, 35MM, 50MM, 85MM, 135MM)

The Canon CN-E Cine Lenes are EF-mount lenes for Canon's C-series cinema cameras, full-frame EOS DSLRs, and for any video-capable cameras that accept EF-mount lenses.

Canon CN-E Lens - 135MM

The Canon CN-E Cine Lenes are EF-mount lenes for Canon's C-series cinema cameras, full-frame EOS DSLRs, and for any video-capable cameras that accept EF-mount lenses.

Canon EF-L Lens 16-35mm f2.8

Characterised by a revamped optical design, the EF 16-35mm f/2.8L from Canon is a workhorse wide-angle zoom and member of the well-regarded L-series of lenses. KIT INCLUDES 1x 16-35mm Canon EL-L Lens

Canon EF-L Lens 24-105mm f4

An advanced one-lens solution, the EF 24-105mm f/4L IS is a Canon L-series zoom covering wide-angle to short-telephoto focal lengths and featuring a constant f/4 maximum aperture.

Canon EF-L Lens 35mm f1.4

Characterised by its unique and advanced optical composition, the Canon EF 35mm f/1.4L II USM is a wide-angle L-series prime featuring a fast f/1.4 maximum aperture to suit working in difficult lighting conditions.

Canon EF-L Lens 70-200mm f2.8 IS

A workhorse of a lens, the Canon EF 70-200mm f/2.8L IS is an L-series telephoto zoom characterised by its bright f/2.8 constant maximum aperture and optical image stabilisation.

Canon EF-L Macro 100mm f2.8 IS

Primarily designed for close-up shooting, the EF 100mm f/2.8L Macro IS USM from Canon is a versatile L-series short telephoto prime that is also well-suited for portraiture and other mid-range subjects.

CANON FD 6 Lens Kit [EF Mount]

These Canon FD lenses have been converted to a Canon EF mount. They have also been DeClicked on the Iris to allow for Iris adjustments mid shot without the visible 'steps' in the Iris. Further, CINE Gears have been added to the focus rings allow ease of use with a manual Follow Focus or a Focus Motor.All our Canon FD lenses have an 80mm front, to allow for a quick and easy swap of filters or matte boxes between the set.

Canon RF 15-35mm f2.8 L IS USM Lens

The Canon RF 15-35mm F2.8 L IS USM Lens is a high-end zoom lens designed for Canon's full-frame mirrorless cameras. This lens is ideal for capturing a variety of subjects, including landscapes, architecture, and interiors. It features a fast F2.8 maximum aperture, which allows for great low-light performance and beautiful bokeh. One of the standout features of this lens is its image stabilization system, which provides up to 5 stops of shake correction. This allows for handheld shooting in low light and other challenging conditions without the need for a tripod or other stabilization equipment. Additionally, the Ultrasonic Motor (USM) autofocus system is fast and accurate, making it easy to capture sharp images and footage.

Canon RF 24-70mm f2.8 L IS USM Lens

Poised to be the new workhorse zoom, the Canon RF 24-70mm f/2.8 L IS USM is a versatile wide-angle to portrait-length lens characterised by its bright, advanced, and intuitive design. The constant f/2.8 maximum aperture suits working in difficult lighting conditions and also enables greater control over depth of field. The optical design incorporates a series of aspherical and Ultra-Low Dispersion elements, which greatly reduce a variety of aberrations throughout the zoom range in order to produce sharp and clear imagery. An Air Sphere Coating has also been applied to suppress flare and ghosting when working in strong lighting conditions.

COOKE PANCHRO/I Classic S35 3 Lens Kit (21mm, 40mm, 75mm)

The Cooke Panchro iClassic's recreate the same look and feel of the original legendary Speed Panchro with the advantage of modern glass mounted for today’s cameras. The new lenses come equipped with /i Technology for frame by frame digital information capture.

COOKE PANCHRO/I Classic S35 3 Lens Kit (32mm, 50mm, 100mm)

The Cooke Panchro iClassic's recreate the same look and feel of the original legendary Speed Panchro with the advantage of modern glass mounted for today’s cameras. The new lenses come equipped with /i Technology for frame by frame digital information capture.

COOKE PANCHRO/i Classic S35 5 Lens Kit

The Cooke Panchro iClassic's recreate the same look and feel of the original legendary Speed Panchro with the advantage of modern glass mounted for today’s cameras. The new lenses come equipped with /i Technology for frame by frame digital information capture. KIT INCLUDES: 5x Cooke Lenses

COOKE PANCHRO/i Classic S35 6 Lens Kit

The Cooke Panchro iClassic's recreate the same look and feel of the original legendary Speed Panchro with the advantage of modern glass mounted for today’s cameras. The new lenses come equipped with /i Technology for frame by frame digital information capture.

DUCLOS TOKINA 11-16mm T/2.8 AT-X

The Duclos Tokina 11–16mm T2.8 AT-X is a compact wide-angle cine zoom designed for Super 35 cameras. Duclos has rehoused Tokina’s popular stills zoom into a fully cine-modified lens, featuring a durable all-metal housing, integrated 95mm front ring, and standard 0.8 pitch gears on focus, iris, and zoom. With a fast constant T2.8 aperture, minimal breathing, and sharp performance, it’s an excellent choice for handheld, gimbal, and Steadicam work where a lightweight, reliable wide zoom is essential.

DZO Catta Ace 18-35mm F2.9

DZO has introduced three full-frame cinema zoom lenses that allow you to cover a large range of focal lengths and camera sensors; the Catta Ace FF Cine Zoom Lens. The Catta Ace line;all have a consistent front diameter and gear position for quick and easy set up. These lenses boast smooth focus/defocus transitions and accurate colour rendering. With both EF and PL mounting options available and full-frame coverage, these lenses can suit a huge variety of cameras. The DZO Catta Ace zoom lens kit is a great one-size-fits-all kit for your production.

DZO Catta Ace 35-80mm F2.9

DZO has introduced three full-frame cinema zoom lenses that allow you to cover a large range of focal lengths and camera sensors; the Catta Ace FF Cine Zoom Lens. The Catta Ace line;all have a consistent front diameter and gear position for quick and easy set up. These lenses boast smooth focus/defocus transitions and accurate colour rendering. With both EF and PL mounting options available and full-frame coverage, these lenses can suit a huge variety of cameras. The DZO Catta Ace zoom lens kit is a great one-size-fits-all kit for your production.

DZO Catta Ace 70-135mm T2.9

DZO has introduced three full-frame cinema zoom lenses that allow you to cover a large range of focal lengths and camera sensors; the Catta Ace FF Cine Zoom Lens. The Catta Ace line;all have a consistent front diameter and gear position for quick and easy set up. These lenses boast smooth focus/defocus transitions and accurate colour rendering. With both EF and PL mounting options available and full-frame coverage, these lenses can suit a huge variety of cameras. The DZO Catta Ace zoom lens kit is a great one-size-fits-all kit for your production.

DZO CATTA ACE Zoom 3 Lens Kit

DZO has introduced three full-frame cinema zoom lenses that allow you to cover a large range of focal lengths and camera sensors; the Catta Ace FF Cine Zoom Lens. The Catta Ace line;all have a consistent front diameter and gear position for quick and easy set up. These lenses boast smooth focus/defocus transitions and accurate colour rendering. With both EF and PL mounting options available and full-frame coverage, these lenses can suit a huge variety of cameras. The DZO Catta Ace zoom lens kit is a great one-size-fits-all kit for your production.

DZO GNOSIS 24mm T2.8 6.1" CF MACRO LENS

The DZO Gnosis 24mm Macro Lens is a Macro lens that covers Full Frame / Vistavision. A superior optical design incorporates a 16-blade aperture for both attractive bokeh and precise exposure control. Optical elements help to control chromatic aberration and provide vibrant colors and natural gradations in tone, creating a cinematic look. A fast T2.8 maximum aperture enables you to capture extremely sharp images, even at lower light levels.

DZO GNOSIS 32mm F2.8 6.6"" CF MACRO LENS

The DZO Gnosis 32mm Macro Lens is a Macro lens that covers Full Frame / Vistavision, with an interchangeable lens mount, the lens can be modified for EF, PL or LPL. A superior optical design incorporates a 16-blade aperture for both attractive bokeh and precise exposure control. Optical elements help to control chromatic aberration and provide vibrant colors and natural gradations in tone, creating a cinematic look. A fast T2.8 maximum aperture enables you to capture extremely sharp images, even at lower light levels.

DZO GNOSIS 65mm F2.8 9.36" CF MACRO LENS

The DZO Gnosis 65mm Macro Lens is a Macro lens that covers Full Frame / Vistavision, with an interchangeable lens mount, the lens can be modified for EF, PL or LPL. A superior optical design incorporates a 16-blade aperture for both attractive bokeh and precise exposure control. Optical elements help to control chromatic aberration and provide vibrant colors and natural gradations in tone, creating a cinematic look. A fast T2.8 maximum aperture enables you to capture extremely sharp images, even at lower light levels.

DZO GNOSIS 90mm F2.8 10.2" CF MACRO LENS

The DZO Gnosis 90mm Macro Lens is a Macro lens that covers Full Frame / Vistavision, with an interchangeable lens mount, the lens can be modified for EF, PL or LPL. A superior optical design incorporates a 16-blade aperture for both attractive bokeh and precise exposure control. Optical elements help to control chromatic aberration and provide vibrant colors and natural gradations in tone, creating a cinematic look. A fast T2.8 maximum aperture enables you to capture extremely sharp images, even at lower light levels.

DZO GNOSIS MACRO 4 Lens Kit [24mm, 32mm, 65mm, 90mm]

DZOFILM 18-28mm 360° Probe Lens Filter

DZOFILM ARLES Prime 10 Lens Kit

DZOFILM's Arles Prime series, with its T1.4 fast apertures, captures the dynamic interplay of light and shadow, igniting fresh possibilities for artistic expression and cinematic creativity. The Arles series covers Vista Vision sensors with a 46.5mm image circle, providing greater light transmission for enhanced depth and dimension in your visuals. This results in broader, more immersive images with rich detail. The specially calibrated blue coating ensures natural color reproduction, delivering a modern yet distinct look that enhances the immersive quality of the imagery.

DZOFILM ARLES Prime 135mm T1.8

Equip your full-frame ARRI PL-mount camera with the Arles Prime Cine Lenses from DZOFilm to capture cine-style images thanks to its improved features. This prime lens has an aperture range of T1.8 to T22 to achieve a wide depth of field. A 16-blade iris and optical construction of 12 elements in 8 groups provide a soft, natural bokeh to your high-quality imagery. A 95mm outer diameter and M86 filter thread allow you to incorporate different matte boxes or filters into your camera configuration.

DZOFILM ARLES Prime 14mm T1.9

Equip your full-frame ARRI PL-mount camera with the Arles Prime Cine Lenses from DZOFilm to capture cine-style images thanks to its improved features. This prime lens has an aperture range of T1.9 to T22 to achieve a wide depth of field. A 16-blade iris and optical construction of 15 elements in 12 groups provide a soft, natural bokeh to your high-quality imagery. A 95mm outer diameter and M86 filter thread allow you to incorporate different matte boxes or filters into your camera configuration.

DZOFILM ARLES Prime 40mm T1.4

Equip your full-frame ARRI PL-mount camera with the Arles Prime Cine Lenses from DZOFilm to capture cine-style images thanks to its improved features. This prime lens has an aperture range of T1.4 to T22 to achieve a wide depth of field. A 16-blade iris and optical construction of 14 elements in 12 groups provide a soft, natural bokeh to your high-quality imagery. A 95mm outer diameter and M86 filter thread allow you to incorporate different matte boxes or filters into your camera configuration.

DZOFILM ARLES Prime 5 Lens Kit A (25, 35, 50, 75, 100mm)

DZOFILM's Arles Prime series, with its T1.4 fast apertures, captures the dynamic interplay of light and shadow, igniting fresh possibilities for artistic expression and cinematic creativity. The Arles series covers Vista Vision sensors with a 46.5mm image circle, providing greater light transmission for enhanced depth and dimension in your visuals. This results in broader, more immersive images with rich detail. The specially calibrated blue coating ensures natural color reproduction, delivering a modern yet distinct look that enhances the immersive quality of the imagery.

DZOFILM ARLES Prime 5 Lens Kit B (14, 21, 40, 135, 180mm)

DZOFILM's Arles Prime series, with its T1.4 fast apertures, captures the dynamic interplay of light and shadow, igniting fresh possibilities for artistic expression and cinematic creativity. The Arles series covers Vista Vision sensors with a 46.5mm image circle, providing greater light transmission for enhanced depth and dimension in your visuals. This results in broader, more immersive images with rich detail. The specially calibrated blue coating ensures natural color reproduction, delivering a modern yet distinct look that enhances the immersive quality of the imagery.

DZOFILM PAVO Anamorphic 3 Lens Kit (28, 40, 75)

DZOFILM's PAVO Anamorphic lenses retain classic vintage anamorphic style in a light weight design. Covering Super35 format, these lenses have a fast aperture of T2.1 and 2x horizontal squeeze. Capture beautifully detailed imagery with their close focus and low-distortion barrel design without deducting quality. The kit includes 28mm T2.1, 40mm T2.1 and 75mm T2.1 in both PL and EF mounting options available. They have built in back focus adjustment for precise control, and their 14–16 blades of round iris creates captivating oval-shaped bokeh and a mesmerising 'waterfall' background blur. Consistent focus and iris gear position and rotation makes for ease on set switching between the lenses in this kit.

DZOFILM PAVO Anamorphic 3 Lens Kit (32, 55, 75)

DZOFILM X-Tract 18-28mm 0° Probe Zoom Lens T8 FF

Offering a 100 to 73° field of view, the ARRI PL-mount X-Tract 0° 18-28mm T8 FF Probe Zoom Lens from DZOFilm brings innovative close-up capture to your productions. This compact probe lens measures just 16.3" in length and has a front outside diameter of less than 1.2", making it ideal for tight setups. It features a relatively fast T8 maximum aperture, a 2.1:1 maximum magnification, and a 0.24" minimum focusing distance. It's been tested under extreme temperatures from -30°C to 70°C, to ensure stability and durability in challenging shooting environments. It also has IP57-rated dust and water resistance, and the lens body is waterproof to over 28 cm. The front lens element features a hydrophobic anti-fog coating, reducing water and fog accumulation.

DZOFILM X-Tract 18-28mm 360° Probe Zoom Lens

The DZOFILM X-TRACT 18–28mm Probe Lens is a unique waterproof macro zoom lens designed for striking, stylised close-ups in tight spaces and unusual environments. With a rotating 360° front barrel, interchangeable lens tips, and an extended probe design, it lets you get incredibly dynamic shots from inside bottles, through foliage, across food platters — wherever your creativity dares to go. It’s waterproof up to the front element and built with internal focusing and zoom, so nothing shifts while you shoot. Whether you're capturing nature, tabletop products, or cinematic inserts, the X-TRACT delivers sharp detail and cinematic character with endless flexibility.

DZOFILM X-Tract 18-28mm 90° Probe Zoom Lens T8 FF

Combining a T8 large aperture, wide-angle zoom macro capabilities, and a spacecraft-inspired design, it redefines macro cinematography. The X-tract lens becomes a tool for exploration and discovery, extracting unique visual creativity from unknown dimensions and perspectives. Offering a 100 to 73° field of view, the ARRI PL-mount X-Tract 90° 18-28mm T8 FF Probe Zoom Lens from DZOFilm brings innovative close-up capture to your productions with a right-angle optical path. This compact periscope-style lens measures just 16.3" in length and has a front outside diameter of less than 1.2", making it ideal for tight or horizontal setups. It features a relatively fast T8 maximum aperture, a 2.1:1 maximum magnification, and a 0.24" minimum focusing distance. It’s been tested under extreme temperatures from -30°C to 70°C, to ensure stability and durability in challenging shooting environments. It also has IP57-rated dust and water resistance, and the lens body is waterproof to over 28 cm. The front lens element features a hydrophobic anti-fog coating, reducing water and fog accumulation.

IRON GLASS [Amber] 5 Lens Kit

MIR- 20M 20mm F3.5 is the widest rectilinear lens in Soviet lens line-up. It’s losely based on the Carl Zeiss Flektogon 20mm optical formula. The minimum focusing distance is just 0.18m, which makes it one of the shortest close focusing lenses in its class and a great lens for getting very close to your subject. MIR 10A 28mm F3.5 is a bit of a dark horse. It's a less known Soviet lens, but very unique and worthy nonetheless. Its closes focusing distance very impressive at just 0.20m and it produces very shoot bokeh when wide open, though its aperture design, results in "sheriff star" bokeh when you step this lens down. This lens has minimal distortion, 3-dimensional feel and good sharpness even wide open. MIR-1B 37mm F2.8 is a very popular wide/mid-range lens. It's closely based on Zeiss Flektogon equivalent. It's a favourite lens of many thanks to its incredible flares. HELIOS 44-2 58mm F2.8 is a cult classic; one of the most popular and loved lenses in history. It's based on the legendary Zeiss's Biotar 58mm, which explains why Helios 58mm is so well regarded. It pretty much has it all including the beautiful dreamy flares very unique swirly bokeh and a great sharpness. JUPITER-9 85mm F2 is yet another very popular Soviet lens. This 85mm is based on Zeiss Sonnar equivalent and shares most of the characteristics with the other 2 lenses it's often used with. One of its best features is the 15 blade aperture, which keeps that bokeh nice and found at any F-stop.

IRON GLASS 5 Lens Kit

MIR- 20M 20mm T3.6 (F3.5) is the widest rectilinear Iron Glass lens hire in lens line-up. It’s losely based on the Carl Zeiss Flektogon 20mm optical formula. The minimum focusing distance is just 0.18m, which makes it one of the shortest close focusing lenses in its class and a great lens for getting very close to your subject. If you want the maximum depth of field though, focusing to around 2m brings pretty much everything into focus. MIR 10A 28mm F3.5 is a bit of a dark horse. It's a less known Soviet lens, but very unique and worthy nonetheless. Its closes focusing distance very impressive at just 0.20m and it produces very shoot bokeh when wide open, though its aperture design, results in "sheriff star" bokeh when you step this lens down. This lens has minimal distortion, 3-dimensional feel and good sharpness even wide open. MIR-1B 37mm F2.8 is a very popular wide/mid-range lens. It's closely based on Zeiss Flektogon equivalent. It's a favourite lens of many thanks to its incredible flares. HELIOS 44-2 58mm F2.8 is a cult classic; one of the most popular and loved lenses in history. It's based on the legendary Zeiss's Biotar 58mm, which explains why Helios 58mm is so well regarded. It pretty much has it all including the beautiful dreamy flares very unique swirly bokeh and a great sharpness. JUPITER-9 85mm F2 is yet another very popular Soviet lens. This 85mm is based on Zeiss Sonnar equivalent and shares most of the characteristics with the other 2 lenses it's often used with. One of its best features is the 15 blade aperture, which keeps that bokeh nice and found at any F-stop.

Kipon 2x Extender PL>PL

KIPON BAVEYES CINE Extender 2x is designed to double the focal length of cine lenses. The adapter allows light to pass through up to an aperture of 1.4. During the design process, care was taken to leave the character of the lenses used largely unchanged and to ensure the greatest possible compatibility with as many lenses as possible. With a max. immersion depth of 22mm (PL mount), the 2x extender is compatible with a wide range of cine prime and zoom lenses.

Kipon PL>LPL Anamorphic 1.5x Adapter

The KIPON BAVEYES PL > LPL 1.5x Rear Anamorphic Adapter is designed to stretch the image of a PL mount lens by the factor of 1.5x vertically. The light transmission is reduced by less then one stop. The innovativ optical design which consists of 5 cylindrical lenses ensures low distorsion and maximum imaging accuracy. The Adapter take PL mount lenses up to 20mm depth (measured from the PL flange) and allows light pass through to a maximum T-Stop of T2.8. The resulting image can cover sensor sizes up to 48mm diagonal.

LAOWA 12mm FF ZERO-D Cine Prime

The LAOWA 12mm is an ultra wide, lightweight lens that can cover full frame, vista vision, and ALEXA LF sensors. Despite its focal length, it also offers near zero distortion to your image.

LAOWA 24MM T14 2X MACRO PROBE EF LENS

Distinguished by its long, slender lens barrel, this macro lens provides a 2:1 maximum magnification with a 1.5' minimum focusing distance and a close 0.8" minimum working distance. Even with such a close working distance, the lens measures 1.3' long, placing you at a comfortable distance to photograph nearby subjects. Also, as a wide-angle lens, greater depth of field is afforded when compared to traditional telephoto macro lenses, which allows for greater detail in the background with less subject isolation. The front barrel of the lens is waterproof and an LED ring light is mounted at the tip of the lens. It can cover both standard 35mm full frame and Super35 image sensors.

Laowa FF 8-15mm F2.9 Fisheye Zoom PL/E/RF

Get ultra-wide and wonderfully weird with the Laowa 8-15mm T2.9 PL Fisheye Zoom – a full-frame lens built for bold, dramatic perspectives. With a focal length that ranges from a circular 8mm view to a full-frame 15mm fisheye, this lens delivers extreme distortion, edge-to-edge sharpness, and a cinematic feel that’s perfect for music videos, skate films, VFX shots or creative commercial work. With a constant T2.9 aperture and solid all-metal construction, it’s designed with professional workflows in mind. This lens can be paired with either our EF or RF adapters, making it a flexible choice across multiple camera bodies.

LOMO ILLUMINA S35 5 Lens Kit

Lenses are designed for shooting in Super 35 format. High resolution and T1.3 aperture enables independent filmmakers and studios to make their most daring creative ideas come true when producing a cinematic image.

MAMIYA-SEKOR C 5 Lens Kit

The MAMIYA SEKOR-C primes are unique lenses that offer outstanding image quality and a large image circle in a very small form factor. Suitable for 8K Vista Vision sensors, these vintage lenses are an excellent match for ultra high quality production. Originally built with a MAMIYA 645 mount, this set has been rehoused by DUCLOS lenses, with Focus gears and a cinema standard PL Lens mount. These are sometimes called "medium format glass", and are a real alternative for modern Mirrorless Full Frame hybrids, for Large Format cine cams like the Alexa LF, the RED Monstro, Sony Venice and the MAVO LF, with coverage that covers beyond the full frame standard of 24x36mm.

PS Technik Projector

The LensChecker is a small, compact, and mobile tool to test and evaluate lenses by projection. It was designed to fit in a trolley case for easy transportation while still offering the maximum options for lens evaluation of cine, stills, and vintage lenses.

SAMYANG 8mm Fish-Eye CS II

This Canon EF Mount Samyang 8mm T3.8 UMC Fish-Eye CS II Lens is a fish-eye cine lens designed for video capture on cameras with APS-C sized sensors. It features an 8mm focal length and a 180° ultra wide angle of view. This angle of view changes, however, to 167° on Canon cameras because Canon APS-C sized sensors are slightly smaller and have a crop factor of 1.6.

Sigma 70-200mm II f2.8 MACRO HSM EX

A workhorse of a lens, the Canon EF 70-200mm f/2.8L IS is an L-series telephoto zoom characterised by its bright f/2.8 constant maximum aperture and optical image stabilisation.

Sigma Apo Tele Converter 2x

The Sigma APO Teleconverter 2x EX DG is a lens accessory that doubles the focal length of compatible lenses, effectively increasing the magnification. It mounts between the camera body and lens, and while it provides greater reach, it also reduces the amount of light reaching the sensor by two stops.

SIGMA CINE 5 LENS Kit

These prime lenses range cover full frame and all offer T1.5 or T2 brightness. Rivaling a high-end prime set with their stunning image quality and compact construction, they also offer full-frame coverage. With this complete set of ten lenses designed for 6K-8K shooting, the FF High Speed Prime Line allows filming of various cuts without making any changes to the lighting, taking cinematography to the next level of performance. LENS KIT CURRENTLY INCLUDES: 14mm, 24mm, 35mm, 50mm and 85mm.

SIGMA CINE 6 LENS Kit

These prime lenses range cover full frame and all offer T1.5 or T2 brightness. Rivaling a high-end prime set with their stunning image quality and compact construction, they also offer full-frame coverage. With this complete set of ten lenses designed for 6K-8K shooting, the FF High Speed Prime Line allows filming of various cuts without making any changes to the lighting, taking cinematography to the next level of performance. 6 LENS KIT CURRENTLY INCLUDES: 14mm, 20mm, 24mm, 35mm, 50mm and 85mm.

SIGMA Cine PL 14mm FF HiSpeed T2 11"

Sigma's FF High-Speed Prime Lenses combine the same high-quality optics and mechanics of their Global Vision still line in a cine-oriented design. A common 95mm front diameter and similar physical attributes across the lens line make it easier and quicker to mount lens accessories such as matte boxes, follow focuses, and lens control motors.

Sirui 50mm Anamorphic FF1.6x T2.9

Sirui 50mm T2.9 1.6x Anamorphic lens is a sharp and fast anamorphic lens designed to bring a cinematic look to your videos. With its 1.6x Ratio, the lens takes full advantage of the Full Frame sensor to produce a 2.8:1 wide screen aspect ratio that is synonymous with theatre movie experiences. The lens uses an optically distorting anamorphic front element to squeeze the horizontal axis of the shot by 1.6 times which allows for more information to fit onto the sensor. This is then stretched back out in post-production or in-camera to create the wider field of view and ratio compared to a conventional aspherical lens. The lens reproduces flares beautifully whilst the coatings on the lens keep them from obscuring the entire frame. The fast aperture of T2.9 to creates a very shallow depth of field increasing the oval-shaped bokeh effect that is found in anamorphic lenses. In built focus gears work perfectly with follow focus setups to ensure smooth and accurate focussing.

SIRUI Venus FF Anamorphic 5 Lens Kit (35mm, 50mm, 70mm, 100mm, 150mm)

The SIRUI Venus T2.9 1.6x Full-Frame Anamorphic 5-Lens Kit is a comprehensive set designed for filmmakers seeking to achieve a cinematic anamorphic look on full-frame Sony E-mount cameras. This kit includes five prime…

Sony FE 16-35mm f/2.8 GM Lens

The first wide-angle G Master zoom lens offers performance that will take full advantage of the high-resolution potential of the latest and future camera bodies. The most advanced Sony optical and mechanical technologies come together to deliver extraordinary rendering and clarity.

Sony FE 2.8/70-200 GM OSS 2

Sony's FE 70-200mm f/2.8 GM OSS II takes the classic fast zoom and elevates performance to a whole new level. This lens builds upon the best parts of the original and makes them even better while simultaneously reducing weight by 29%—making this lens the lightest in its class. Sony has also given this lens a brand-new AF system that promises up to four times the speed and has made plenty of optical optimizations that will appeal to video shooters, including improvements to focus breathing and focus shift. Whether you shoot portraits, sports, landscapes, or video, the 70-200mm f/2.8 will get the job done.

Sony FE 4.5-5.6/100-400 GM OSS 2

The first super-telephoto zoom in Sony’s flagship G Master series covers a versatile 100mm to 400mm range. With extraordinary resolution and fast, precise autofocus it lets you capture distant action with outstanding quality and immediacy. In addition to world-class image quality, this fine lens offers the mobility, reliability, and operability that professional applications demand.

SONY G Master 14mm f/1.8 (E-Mount)

A dynamic ultra wide-angle focal length with an especially bright design, the FE 14mm f/1.8 GM from Sony is a fast, versatile lens well-suited to landscape, nature, architectural, and astrophotography applications. Its extremely wide-but-usable perspective is complemented by the f/1.8 maximum aperture for excellent performance in low-light conditions and increased control over depth of field.

SONY G Master 24mm f1.4 (E Mount)

Combining a favored wide-angle focal length with an especially bright design, the FE 24mm f/1.4 GM from Sonyis a fast, versatile lens well-suited to landscape, nature, and street photography. Its wide-but-usable perspective is complemented by the f/1.4 maximum aperture, which excels in low-light conditions and also offers increased control over depth of field.

SONY G Master 35mm f/1.4 (E-Mount)

Sony’s most advanced technology is packed into this high-performance E-mount lens, delivering eye-opening G Master resolution and bokeh with extraordinary AF speed and precision. For a large aperture 35mm lens it is remarkably compact, and a great choice for applications where an ideal blend of mobility and superb image quality is essential.

SONY G Master 85mm f/1.4 (E-Mount)

The FE 85mm f/1.4 GM from Sony is a fast, short-telephoto lens designed for E-mount mirrorless digital cameras. Characterised by its flattering perspective and fast f/1.4 maximum aperture, this lens is adept at isolation focus for shallow depth of field effects, as well as performing in low-light conditions. The optical design incorporates three extra-low dispersion elements to reduce chromatic aberrations and one XA (extreme aspherical) element, which significantly controls spherical aberrations for a high degree of image sharpness and clarity. Additionally, a Nano AR coating has been applied to limit ghosting and lens flare for increased contrast and color fidelity when working in strong lighting conditions.

SONY G Master II 24-70mm f/2.8 (E-Mount)

The Sony FE 24-70mm F2.8 GM II Lens is a must-have for any professional photographer and videographer. This lens offers an outstanding combination of speed, accuracy, and sharpness along with professional-grade features like dust and moisture resistance, fast autofocus capabilities, Optical SteadyShot image stabilization, and customizable buttons. With an angle of view from 84° to 34°, this lens has the versatility to capture stunning landscapes or get close up details with precision.

SONY ZEISS 55mm Sonnar f/1.8 (E Mount)

A perfect pairing for full-frame Sony E-mount cameras, the Sonnar T* FE 55mm f/1.8 ZA Lens offers excellent resolution and a fast f/1.8 aperture for photographers looking for a high-performing normal-length prime. By using three aspherical elements and Zeiss's legendary T* anti-reflective coating, this lens exhibits an absolute minimum of aberrations and flare. It also has a linear autofocus motor and internal focus design for fast, responsive AF and achieving a minimum focus distance of 1.6'. Additionally, the lens is dust and moisture resistant and uses a nine-blade circular diaphragm for smooth, rounded bokeh.

THYPOCH Simera-C T1.5 FF 5 Lens Kit (21mm, 28mm, 35mm, 50mm, 75mm)

The THYPOCH Simera-C T1.5 Full-Frame 5-Lens Kit is a versatile set of prime cine lenses designed for Sony E-mount full-frame cameras. With a fast T1.5 aperture across all five focal lengths (21mm, 28mm, 35mm, 50mm, 75mm), this kit offers strong low-light performance and shallow depth of field for expressive, cinematic visuals. Precision-built from aerospace-grade aluminum alloy, the lenses are lightweight and compact—perfect for handheld and gimbal setups, especially the DJI Ronin 4D, available at Raz Studios. Featuring aspherical and extra-low dispersion elements, each lens delivers crisp resolution with pleasing, round bokeh thanks to a 16-blade iris. Standard 0.8 MOD gears and consistent physical design make them ideal for streamlined production workflows. The full kit comes housed in a custom aluminum flight case for safe storage and transport.

TOKINA Vista 135mm T.15

TOKINA Vista 18mm T1.5

Tokina Cinema has introduced the new Vista series T1.5 Prime Lenses. These revolutionary new lenses feature a huge 46.7mm image circle making these lenses compatible with nearly every motion picture camera sensor on the market including VistaVision format. The new Vista series all are the exact same size and gear position for easy set up and workflow. Ultra sharp with nearly zero image breathing during focus pulls. Tokina Cinema Vista is truly the modern ultra crisp works-on-everything solution for your cinema and motion imaging capture needs.

TOKINA VISTA 3 Lens Kit

Tokina Cinema has introduced the new Vista series T1.5 Prime Lenses. These revolutionary new lenses feature a huge 46.7mm image circle making these lenses compatible with nearly every motion picture camera sensor on the market including VistaVision format. The new Vista series all are the exact same size and gear position for easy set up and workflow. Ultra sharp with nearly zero image breathing during focus pulls. Tokina Cinema Vista is truly the modern ultra crisp works-on-everything solution for your cinema and motion imaging capture needs.

TOKINA VISTA 4 Lens Kit

Tokina Cinema has introduced the new Vista series T1.5 Prime Lenses. These revolutionary new lenses feature a huge 46.7mm image circle making these lenses compatible with nearly every motion picture camera sensor on the market including VistaVision format. The new Vista series all are the exact same size and gear position for easy set up and workflow. Ultra sharp with nearly zero image breathing during focus pulls. Tokina Cinema Vista is truly the modern ultra crisp works-on-everything solution for your cinema and motion imaging capture needs.

TOKINA VISTA 5 Lens Kit

Tokina Cinema has introduced the new Vista series T1.5 Prime Lenses. These revolutionary new lenses feature a huge 46.7mm image circle making these lenses compatible with nearly every motion picture camera sensor on the market including VistaVision format. The new Vista series all are the exact same size and gear position for easy set up and workflow. Ultra sharp with nearly zero image breathing during focus pulls. Tokina Cinema Vista is truly the modern ultra crisp works-on-everything solution for your cinema and motion imaging capture needs.

TOKINA Vista 50mm T1.5

TOKINA VISTA 9 Lens Kit

TRIBE7 BLACKWING7 4 Lens Kit A (20.7, 37, 57, 107)

BLACKWING7 Lenses are a unique lens set which is the creative lovechild of a collaboration between Neil Fanthom and Bradford Young ASC. BLACKWING7 lenses are tunable, and allow parameters such as sharpness, contrast, roll-off, spherical aberration, field curvature, edge halation and flare to be modified to provide sets of “curated” optics to suit the personality and intent of the user. FOCAL LENGTHS: These lenses are large format glass, featuring a set of focal lengths all ending in 7's: 27mm, 37mm, 47mm, 77mm.

TRIBE7 BLACKWING7 4 Lens Kit B (27, 47, 77, 137)

BLACKWING7 Lenses are a unique 7 lens set which is the creative lovechild of a collaboration between Neil Fanthom and Bradford Young ASC. BLACKWING7 lenses are tunable, and allow parameters such as sharpness, contrast, roll-off, spherical aberration, field curvature, edge halation and flare to be modified to provide sets of “curated” optics to suit the personality and intent of the user.

TRIBE7 BLACKWING7 8 Lens Kit

BLACKWING7 Lenses are a unique 7 lens set which is the creative lovechild of a collaboration between Neil Fanthom and Bradford Young ASC. BLACKWING7 lenses are tunable, and allow parameters such as sharpness, contrast, roll-off, spherical aberration, field curvature, edge halation and flare to be modified to provide sets of “curated” optics to suit the personality and intent of the user.

UCG Optics Petzval Pro 55mm T1.8

UCG Optics Petzval Pro FF Kit (55mm, 80.5mm)

The Petzval Pro rehoused lens, a refurbished version of the Petzval Art Lens series, has undergone an impressive transformation by UCG Optics into fully functional, full-frame modern cine lenses equipped with an industry-standard PL mount. This lens features distinctive attributes such as vibrant colour saturation and artistic vignetting, providing cinematographers with the capability to finely adjust the enchanting swirly bokeh effects through its specialised bokeh control ring design.

ZEISS CP.3 18mm Lens

Building on the success of the well-regarded CP.2 lenses, ZEISS's CP.3 Compact Prime Lenses offer the same full-frame sensor coverage and classic ZEISS look in an updated form factor and with improved mechanics and lens coatings.

ZEISS CP.3 25mm Lens

Building on the success of the well-regarded CP.2 lenses, ZEISS's CP.3 Compact Prime Lenses offer the same full-frame sensor coverage and classic ZEISS look in an updated form factor and with improved mechanics and lens coatings.

ZEISS CP.3 3 Lens Kit (PL / EF)

Building on the success of the well-regarded CP.2 lenses, ZEISS's CP.3 Compact Prime Lenses offer the same full-frame sensor coverage and classic ZEISS look in an updated form factor and with improved mechanics and lens coatings.

ZEISS CP.3 35mm Lens

Building on the success of the well-regarded CP.2 lenses, ZEISS's CP.3 Compact Prime Lenses offer the same full-frame sensor coverage and classic ZEISS look in an updated form factor and with improved mechanics and lens coatings.

ZEISS CP.3 4 Lens Kit (PL / EF)

Building on the success of the well-regarded CP.2 lenses, ZEISS's CP.3 Compact Prime Lenses offer the same full-frame sensor coverage and classic ZEISS look in an updated form factor and with improved mechanics and lens coatings.

ZEISS CP.3 5 Lens Kit (PL / EF)

Building on the success of the well-regarded CP.2 lenses, ZEISS's CP.3 Compact Prime Lenses offer the same full-frame sensor coverage and classic ZEISS look in an updated form factor and with improved mechanics and lens coatings.

ZEISS CP.3 50mm Lens

Building on the success of the well-regarded CP.2 lenses, ZEISS's CP.3 Compact Prime Lenses offer the same full-frame sensor coverage and classic ZEISS look in an updated form factor and with improved mechanics and lens coatings.